Its aperture distance is similar to all our low light zoom lenses for Canon apart from the Sigma 18-35mm F1.8. Ultra-wide angle to capture many detailsīeing the second most expensive option we picked, you might be curious to know what makes the Canon EF 24-70mm f/2.8L II special.If you want something that goes beyond supporting low-light photography to offer you fabulous features and versatility, then our best low-light lens for Canon may suit you. Their Canon 14mm f/2.8, for instance, is expensive yet with a limited focal range, and the images are not sharp enough. Whenever too close to the subjects or shooting quickly-changing action, the stability and precision are commendable.Ĭanon doesn’t have many excellent full-frame ultrawide angle lenses, and that is why this unit is unique.
Landscape and real estate photographers have something to give them dramatic and well-lit photos thanks to its ultrawide angle.Īdded to its ability to photograph tight spaces using a wide angle, the unit also comes with image stabilization. At f/2.8, it lets in adequate light to picture subjects better without being overly bright.Īlthough the difference may be negligible compared to the Sigma 18-35mm f/1.8, having the smallest focal length on the list matters a lot. While not having the smallest f/stop number amongst our selections, the Canon EF 16–35mm f/2.8L III packs undeniable features for superb low-light shooting.
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